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Research Resources

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《研究議題》Visual Print Culture in Europe 1500-1850: techniques, genres, imagery and markets in a comparative perspective

Findings and Approaches
Poster:Post date:2015-06-04
  台灣西洋古典、中世紀暨文藝復興學會
Taiwan Association of Classical, Medieval, and Renaissance Studies
研究議題
Findings and Approaches
 
主題Topic
Visual Print Culture in Europe 1500-1850: techniques, genres, imagery and markets in a comparative perspective
1500-1850歐洲視覺印刷文化: 技巧、文類、意象與市場之比較視野
地點Place University of Warwick at Palazzo Pesaro Papafava,Venice, Italy
作者Author  
出版社Publisher  
出版年Year 5-6 Dec. 2015
語言Language 英文
裝訂Binding □平裝 Paperback    □ 精裝 Hardcover
頁數 Pages  
ISBN (10 / 13)  
Bibliography Reference
 
 (STC, Duff, GW . . .)
來源網址
Web Link
http://www2.warwick.ac.uk/fac/arts/emforum/events/visualprintculture/
撰稿者Writer 李祁芳、林柏豪
撰寫日期Date 5 April 2015
A.   簡介 Introduction (within 500 words, Chinese or English)
1500-1850年歐洲視覺印刷文化研究的目標在於集結各家學者,以不同領域治學方式來討論1500-1850年視覺印刷文化中的方法、展現形式、展演的媒介及觀眾群。該研討會企圖打破既有的視覺文化研究之國家疆界,並拓展多方的合作互動,如雕刻家、出版商、藝術家、歐洲的買家,還有以一般藝術呈現的實踐所創造出真正的歐洲視覺印刷文化。以多元夾帶本土風格,卻也不失其中的核心價值中所蘊含著的歐洲視覺印刷文化
研討會論文可來自不同學術背景,目的在探索技巧與製作過程的交流、意象分析、市場區隔、以及分析在某特殊條件下,某特殊文類形式是某得以跨越國界。雖然此次研討會的焦點放在歐洲的視覺印刷文化,該文化對於其他世界的深遠影響與互動也是我們有興趣探討的領域。
 
[Original CFP]
Visual Print Culture in Europe 1500-1850 aims to draw together scholars with a range of disciplinary skills to discuss the methods, representational forms, and distribution of and audience for visual print media in Europe between 1500 and 1850. Its seeks to de-nationalize the study of visual print culture, and to explore the extent to which interactions between engravers and printers, artists and consumers in Europe, and a range of common representational practices produced a genuinely European visual print culture – with local modulations, but nonetheless with a common core.
Papers can draw on a range of disciplinary backgrounds in exploring the exchange of techniques and processes, the analysis of imagery, and the identification of markets, and in analysing the conditions under which particular generic forms crossed or failed to cross national boundaries. Although the emphasis is on European visual print culture, the impact of that culture on, and its interaction with, the wider world is also of interest.
 
B.   延伸閱讀 Extended Reading
 
 
Last modification time:2020-06-23 PM 11:13

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